Lap-See Lam

b.1990, Stockholm 

lapsee.lam@gmail.com

Represented by Galerie Nordenhake, Stockholm 



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CURRENT & UPCOMING 



2020 | Magasin III     

Commissioned furniture for Magasin III, Stockholm



2021 - 2022 | Future Generation Art Prize     

Pinchuk Art Centre, Kiev & Venice 



2021 | Phantom Banquet at Nomadic Nights

Fondation Cartier pour l’art contemporain, Paris



2021 | Trondheim Kunstmuseum, Gråmolna

Solo exhibition, curator Marianne Zamecznik



2022 | Bonniers Konsthall 

Solo exhibition, curator Yuvinka Medina 




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EDUCATION



2018 - 2020|MFA, Royal Institute of Art, Stockholm

2013 - 2016|BFA, Royal Institute of Art, Stockholm

2011 - 2013|Idun Lovén Art School, Stockholm



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SOLO EXHIBITIONS  



2020 | Phantom Banquet

Galerie Nordenhake, Stockholm



2019 | Horizontal Landscape, Vertical Ghost (part 2)

Skellefteå Konsthall, Skellefteå. Curator Anna-Karin Larsson



2019 | Horizontal Landscape, Vertical Ghost (part 1)

Erik Nordenhake, Stockholm




2018Mother’s Tongue (Lap-See Lam & Wingyee Wu)

Moderna Museet, Malmö. Curated by Andreas Nilsson



2018Table, Mirror, Waiter & The Ghost 

Maria Bonnier Dahlin Grant Recipients

Bonniers Konsthall, Stockholm. 



2017 | Mother’s Tongue (Lap-See Lam & Wingyee Wu) 

Mossutställningar, Stockholm 

 


2017 | Like the Eight Immortals (Lap-See Lam,  L-v-L & Karin Bähler Lavér)

L’Ascensore, Palermo. Curated by Valentina Sansone



2015 | Room with a View

Galleri Mejan, Stockholm



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GROUP EXHIBITIONS    



2019 - 2020 | Mother’s Tongue in the collection exhibition  

Moderna Museet, Stockholm




2020 | MMXX - Royal Institute of Art  

Royal Academy of Fine Arts, Stockholm



2020 | Unhomed

Uppsala Konstmuseum

Curated by Rebecka Wigh Abrahamsson



2019 | Phantom Banquet, Swedish Pavilion   

Performa 19 Biennial, New York - Jeffrey Deitch Gallery

Curated by Sara Arrhenius



2019 | Cartography of Memory

Pina, Vienna

Curated by Johanna Thorell



2019 | Metamorphosis. Art in Europe Now

Fondation Cartier pour l’art contemporain

Curated by Thomas Delamarre




2019 | SoftCity

Chopsticks, Stockholm 

Curated by Coyote Sthlm 



2018 | The Luleå Biennial 2018 - Tidal Ground

Luleå Konsthall, Luleå & Ájjte Museum, Jokkmokk

Curated by Emily Fahlén, Asrin Haidari & Thomas Hämén




2018Exclusively Inclusive - Cycle Music and Art Festival

Gerðarsafn - Kópavogur Art Museum, Kópavogur

Curated by Jonatan Habib Engqvist



2018Four as One and Three

Gallery Kendra Jayne Patrick, New York 



2018Space is Only Noise part 2

Erik Nordenhake, Stockholm



2017Charlottenborg Spring Exhibition 2017

Kunsthal Charlottenborg, Copenhagen



2016Aperto

Villa Grumello

Fondazione Antonio Ratti, Como



2016 | Kungl. Kandidatutställningen

Mindepartementet Art & Photography, Stockholm




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TALKS, WORKSHOPS & SCREENINGS



2020 | Mother’s Tongue (Lap-See Lam & Wingyee Wu) - digital screening  

Bonniers Konsthall, Digital Exhibition Program 


2020 | Mother’s Tongue (Lap-See Lam & Wingyee Wu) - screening  

CPH:DOX, New:Vision Award, Copenhagen  


2019 | Artist talk with curator Fredrik Liew

Moderna Museet, Stockholm  


2019 | Infinite Interviews with Hans Ulrich Obrist

Fondation Cartier pour l’art contemporain, Paris 


2019 | Praxis #4 - Workshop med Lap-See Lam 

Film i Samtidskonsten, Zita Folkets Bio


2019 | Mother’s Tongue & The Museum of Movements (Lap-See Lam & Wingyee Wu)

Moderna Museet, Malmö


2017 | Coyote - Like a chicken with it’s head cut off 

Inkonst, Malmö
 


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SELECTED PRESS


2020 | SVT Kulturnyheterna

Monica Anjefelt 23.10.2020 (interview, Swedish Television)


2020 | Dagens Nyheter: “Lap-See Lam utforskar världen med kinakrogen som bas”

Mohamed Yussuf 6.10.2020 (interview, print &online)


2020 | Kunstkritikk: “Epokskifte”

Frans Josef Petersson 18.9.2020 (online)


2020 | Dagens Nyheter: “DN’s Birgitta Rubin väljer 5 favoriter vecka 27”

Birgitta Rubin 5.7.2020 (print & online)


2020 | Nordegren & Epstein i P1, Sveriges Radio 

15.6.2020 (interview, Swedish Radio)


2020 | Svenska Dagbladet: “Kinakrog serverar bankett för spöken”

Håkan Nilsson 30.5.2020 (review, print)


2020 | Konsten.net: “Lap-See Lam på Galerie Nordenhake”

Thomas Olsson 27.5.2020 (review, online)


2020 | Omkonst: “Tillvarons flyktiga turister”

Silva Malmsten 27.5.2020 (review, online)



2020 | Dagens Nyheter: “Kuslig kinakrog med svävande skelett”

Magnus Bons 21.5.2020 (review, print)


2020 | Forbes Magazine: “2020 Forbes 30 Under 30 Europe Art & Culture”

Alexandra Sternlicht 17.3.2020 (online)
 

2019 | Artlyst: “Performa 19 Commissions Multi-channel installation By Lap-See Lam”

21.10.2019 (preview, online)


2019 | Dagens Nyheter: “Fondation Cartier kartlägger ung konst i Europa”

Frida Sandström 29.5.2019 (review, print)


2019 | Elephant: “These Young Artists are Putting Europe Back Together”

Louise Benson 10.5.2019 (article, online)


2019 | ArtReview: “Metamorphosis. Art in Europe Now”

Ben Eastham 7.5.2019 (review, print)



2019 | Svenska Dagbladet: “Europatanken är långt ifrån död - i konsten”

Lars O Ericsson 2.5.2019 (review, print)


2019 | Financial Times: “Not drowning but waving”

Rachel Spence 12.4.2019 (review, print)


2019 | Kunstkritikk International: “Not Being, But Becoming”

Sinziana Ravini 15.4.2019 (review, online)


2019 | Dazed: “This group art show celebrates unity in Europe”

Ashleigh Kane 10.4.2019 (article, online)


2019 | Tank Magazine: “Europe Now. A new Generation of artists in Europe”

Interview with Thomas Delamarre 4.4.2019 (article, online)


2019 | ASVOF: “Lap-See Lam at Fondation Cartier” 
 

Diane Pernet 3.4.2019 (interview, online)


2019 | Kunstkritikk International: “The Sublime Schizo-Aestetichs of the

Chinese Restaurant”


Sinziana Ravini 15.3.2019 (review, online)


2019 | Art in America: “Cycle Music and Art Festival”

Wendy Vogel, 1.1.2019 (review, print)


2018 | Kulturnytt i P1, Sveriges Radio: “Luleåbiennalen - ett ljus i mörkret”

Helene Alm, 30.11.2018 (review, Swedish Radio)
 
 

2018 | Kunstkritikk International: “Northern State of Mind”

Frans Josef Petersson, 31.11.2018 (review, online) 
 

2018 | SVT Kulturnyheterna: “Mörker är temat på återuppståndna Luleåbiennalen”

Simon Sarnecki, 19.11.2018 (news report, SVT) 


2018 | Fréttablaðið: “Finnum vonandi sameiginlegan hljóm”

Gunnþóra Gunnarsdóttir, 25.10.2018 (article, print)


2018 | Dagens Nyheter: “Egensinniga psykologiska kartbilder”

Sara Meidell, 4.4.2018 (review, print)


2018 | Konstnären #1, 2018: “Krogrunda med Lap-See Lam”

Sofia Curman, 23.3.2018 (interview, print)


2018 | Bon Magazine: “Ilusioner om kulturell närhet”

Lo Hallén, 12.3.2018 (interview, online)


2018 | C-print Journal: “Future Watch Times Four”

Ashik Zaman, 6.3.2018 (interview, online)


2017ATP Diary: “Like the Eight Immortals, L’AscensoreOFF”

Elena Bordignon, 28.7.2017 (interview, online)



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PUBLICATIONS, CATALOGUES  ETC



2018
| Fondation Cartier: Metamorphosis. Art in Europe Now”. Exhibition guide.

2018 
| “Luleåbiennalen 2018, Tidjord/ Tidal Ground”. Exhibition guide. 

2018“IN & BEYOND SWEDEN: Journeys Through an Art Scene” 

Iaspis & Moderna Museet, Art & Theory Publishing

2018 | “CYCLE Music and Art Festival: Inclusive Nation”. Exhibition guide.  

2017“Charlottenborg Spring Exhibition MMXVII”. Exhibition catalogue.  

2016“Kungl. Kandidatutställningen 2016”. Exhibition catalogue. 



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GRANTS & AWARDS



2021 | Studio Residency Program, IASPIS

2020 | City of Stockholm Culture Prize   

2020 | 2020 Forbes 30 Under 30 Europe Art & Culture

2020 | CPH:DOX New:Vision Award, Special Mention 

2020 | Brucebo Travel Grant / Gustaf & Ida Unman / Petersenska Hemmet  
 
2019 | The Royal Academy of Fine Arts / Stiftelsen AAA 

2017 | Maria Bonnier Dahlin Foundation     

2017 | Kulturbryggan 
 
2017 | International Cultural Exchange, IASPIS   

2017 | Anders Sandrews Stiftelse

2016 | Assistant Grant(with Wu Tsang), IASPIS 

2016 | Fredrika Bremer Stiftelse 

2015 | Stiftelsen AAA

 


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RESIDENCIES



2016 | 'XXII CSAV Artist Research Laboratory with Renée Green' - Fondazione Antonio Ratti, Como



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COLLECTIONS


Moderna Museet, Stockholm

Maria Bonnier Dahlin Foundation, Stockholm

L’Ascensore, Sicily 



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